Nokia's Ovi Store - The First 5 Months

“2009 has sure gone by quickly and being mid-November, 2010 is rapidly approaching. For those of you who are mobile developers or are following the various mobile application stores available in market I thought I would give another update regarding Ovi Store and where we are since we launched about 5 months ago. The following stats are from 26 May through 31 October:

• Available on over 100 different Nokia devices (60+ Symbian S60 devices)


• Active users from over 180 countries


• Developers from 65 countries are distributing content


• 8 countries today have local content, local language support and mobile billing: UK, Spain, France, Germany, Singapore, Australia, Italy, Russia. By the end of Q1 2010 there will be more than 20 countries.


• Top 10 Ovi Store Markets by performance in alphabetic order: Egypt, Germany, India, Indonesia, Italy, Spain, Saudi Arabia, Thailand, Russia & UK


• In almost all of the top 10 Ovi Store countries, 5800 XpressMusic and N97 are the #1 and #2 devices for Ovi Store activity and consumer engagement


• On average, each registered user has downloaded at least 8 items from Ovi Store


• In October, the number of content items downloaded was over 70% higher than in Sept.”

Read more here

New Moon's Record Breaking Success Predicted (last week) by Online Trailer Views

“After months of building anticipation and expectations, Twilight Saga: New Moon will sink its teeth into box offices this weekend with the highest view count of any film this year. The vampire romance grew by 9% this week to reach nearly 20 million views. This is nearly twice the views of the first installment in the series, which scored 10.1 million views the week of its release. This also tops view counts for this year's blockbusters. Transformers: Revenge of the Fallen generated 5.9 million views the week of its release and Harry Potter and the Half-Blood Prince conjured up 7.3 million. New Moon has also set a record for the Top 10 Online Film Trailers Chart: it's the first film to maintain first place for every chart appearance. Impressive!”

Read more here.

Esquire Magazine Launch an Augmented Reality Edition

“Esquire magazine has embedded special markers on certain pages of the magazine including the front cover. By downloading a piece of software and utilizing the webcam on your PC you can access this additional content. All you have to do is hold the marker up to your camera and it will bring up new content using the software you installed. This may just be a short video clip starring the person on the page or it may include some interaction. For example, the front cover has multiple videos to watch depending on how you tilt the page. Another page sees someone change clothes as you rotate the page.”

Read more here on The New York Observer.

New Research on Social Media Use

“This year we changed tack and focused our efforts on understanding how digital is changing the way that consumers interact with brands.

What did we find out? Experience matters. A lot. So much so that experiences are becoming the new advertising or marketing. And these experiences are having an inordinate amount of impact on how consumers perceive a brand and ultimately purchase products. Moreover, we also found that consumers are actively engaged with brands across the entire digital spectrum. Consumers may be in control but so are brands which are so deeply embedded in the culture that consumers can’t imagine not making them a part of their world — on Facebook, Twitter or even their own blogs.”

Read more here.

Radio Survey T2 Commentary

The twice yearly radio audience measurement surveys are now out. Perhaps the most widely discussed issue in radio audience research, not just in New Zealand, but around the world, is the reliability of the ‘hard copy’ diary. Emerging technologies such as personal people meters and ‘quite smart’ phones are still being talked about but the hard copy diary remains. As of late 2006, paper diaries remain the currency in all major radio markets including the U.S, U.K and Australia.

Basically - each survey is required to collect a minimum sample of 12,000 radio listeners. A diary is pre-printed with all known radio stations within a listed region, with the twenty four hours of each day divided into quarter hours. Diaries are placed, in person, in randomly selected households (excluding those who work in radio) with anyone over 10 years of age who is willing to record their radio listening for a week. Over the week the respondent is requested to indicate the radio station listened to for each period of 8 minutes or more or each quarter hour.

The topline results* this round are below. Should you wish to know results for your particular demographic please contact your media planner:

Initial Top Line Results: National

• Overall a stable survey result for radio with Time Spent Listening (TSL) and Cume audiences remaining consistent within the last 12mths with National radio delivering 2.21 million listeners per week.
  
• Interesting to note was that TSL has also increased in a somewhat fickle demographic known as the ‘iPod generation’ (All People 18-34), up 20mins to 17hr 37mins per week.

National Breakfast

• The top ranked station is Newstalk ZB* – although Classic Hits and Radio Live have both increased their Breakfast Station Share significantly.
  
• Newstalk ZB also maintains its status as the most listened to breakfast show in New Zealand (All People 10+ Cume Audience).

Auckland

• Newstalk ZB remains the Number 1 station in Auckland*.
• Interestingly “Other”** came in at no.2 indicating just how fragmented the Auckland market is.
• Huge growth for Mai FM in this market - becoming the highest All People 18-34 Cume Audience 70,400. The Rock is still the Number 1 Youth brand (All People 18-34).
  

Wellington

• A positive survey for the Wellington market - more people are listening longer.
• The battle for Number 1 Station in Wellington remained tight, with ZM just managing to hang on to the No. 1 spot from The Breeze No.2 and Newstalk No.3.
• The Breeze more than doubled its Station Share against All People 18-34, moving it into third place within this competitive demographic.
• Strong growth for The Rock, which increased both Station Share and Cume Audience against all 4 of the main demographic groups.

Initial Top Line Results: Christchurch

• Newstalk ZB is now the Number 1 Station in Christchurch*, the Rock is Number 2, followed by More FM.
• Against All People 18-34 The Rock continues to dominate followed by The Edge then More FM and ZM
• More FM reclaimed its Number 1 position against All People 25-54
  

Now the survey results are out the various radio stations will be singing their praises and many rightly so. Your Carat media planner are the impartial experts in this area and are always on hand to analyse the results and make full recommendations to best meet your business needs and specific target markets.


*Based on All People 10+share, Mon –Sun 6am–12mn unless specified otherwise
** “Other” defined as all other non surveyed stations in the Auckland market

Thanks to Joleen Salisbury - Client Service Manager, Carat Wellington

The Demographics of Social Media Users

"Over the course of the year, there have been countless reports - some more substantial than others - but all with the same message: Generation Y is just not interested in Twitter. The reports generally cited members of this demographic as saying Twitter was "pointless" and "narcissistic."

Apparently, that's beginning to change. Well, maybe not their perception of Twitter, but certainly their use of it. Today, Twitter is now the second-youngest of the top four social networking sites. Its median age is 31. MySpace's is 26, LinkedIn is 39, and, as noted above, Facebook is 33."

Read more here.

The latest National Readership Survey is out!

The latest National Readership Survey conducted by Nielsen was officially released last Friday. There were some obvious winners and unfortunately plenty of losers. One thing was certain, the results offered compelling insights into how our consumers were behaving.

Be my guest.
Entertaining guests from home are becoming more frequent where long lunches and fancy dinners are now merely treats on the side. As pockets tighten so does our food palette. On the bright side, our strive to rekindle the joys of cooking is eminent with foodie titles experiencing pivotal growth. Titles such as Cuisine is up by 4% and the Healthy Food Guide with a staggering increase of 14% year on year.

DIY is in our blood.
It’s what Kiwi’s do in their spare time. Whether it’s extending the deck or cultivating the vege gardens, weekends are always brimming with projects and round trips to your local. Hence it’s no surprise that the DIY & gardening genres are undergoing a well earned readership increase. NZ Gardener was up by 20% in readers while Your Home & Garden held strong with a 8.9% rise.

We’re being picky.
Gone are the days when POS stands caught every shoppers attention, to be honest it still does – it just needs to work three times as hard. We’re choosing our weekly gossip fixes wisely, we can no longer splurge like we use to. If Bradgelina isn’t adopting another kid or Tom making Katie cry, then we don’t care. It’s these harsh realities that we’re seeing the women’s weeklies taking the hardest hit with Woman’s Day and NZ Woman’s Weekly dropping 11% respectively and New Idea down by 9.5%. Even the TV Guide is showing worst for wear dropping 17% in readers.

Supporting our Communities.
Overall, community newspapers are standing strong and delivering on local content. These free publications are receiving well deserved respect with an average growth of 2%. Specific regions of interest are Wellington with an average of 5% increase and Christchurch with a healthy average increase of 8%. Auckland and Hamilton remain steady. The national paper Sunday Star Times lost significant numbers in Auckland and Dunedin by 10% and 33% respectively however gaining ground in all other regions. Overall Sunday readership in Auckland has declined by 9% - could well be the DIY projects!

Other key trends emerging:

• Techy titles such as PC World and NetGuide have suffered a hard blow (15% and 23% drop respectively), this would reflect our reliance to research over the net rather than via hardcover.

• Either NZ couples are opting for a longer engagement, not getting married or it’s all about hand me downs – whatever the scenario, wedding mags are not relishing in growth. NZ Weddings is down by 16% whilst Bride & Groom has fallen by 9%.

So what can we take out of this? Well having a clear understanding of these dynamics and insights can really help define the way we work with our clients & publishers. It’s about collaboration to amplify these trends and make it work in our favour.

Pauline So, Client Service Manager - Carat New Zealand

Google’s Eric Schmidt on the web in 5 years time

Key Points from this Article:

• “Five years from now the internet will be dominated by Chinese-language content.

• Today's teenagers are the model of how the web will work in five years - they jump from app to app to app seamlessly.

• Five years is a factor of ten in Moore's Law, meaning that computers will be capable of far more by that time than they are today.

• Within five years there will be broadband well above 100MB in performance - and distribution distinctions between TV, radio and the web will go away.”
  
  

Google on their own development:

• “We're starting to make signifigant money off of Youtube", content will move towards more video.

• Real time information is just as valuable as all the other information, we want it included in our search results.

• There are many companies beyond Twitter and Facebook doing real time.

• We can index real-time info now - but how do we rank it?

• It's because of this fundamental shift towards user-generated information that people will listen more to other people than to traditional sources. Learning how to rank that "is the great challenge of the age." Schmidt believes Google can solve that problem.”

Read more here.

Online advertising is now 15 years old

“Four of our then-clients placed ad banners as part of that first campaign, MCI, Volvo, Club Med and 1-800-Collect. (The other two advertisers were AT&T and Zima.) Keep in mind, this was 1994; the first graphical web browser, Mosaic, was less than a year old (soon to be replaced by Netscape Explorer), and Web access? Purely dial-up, 24.4kps if you were lucky, meaning these ads took a while to load. The online U.S. population? Two million, if that.

These "original six" were the first brands to take a leap of faith and place advertising in the unchartered "cyberspace" territory. But several didn't know they were taking it until after the fact. Corporate America was still largely unfamiliar with the graphical web, so we didn't even try to sell the concept. We decided to commit agency media and development dollars to place client banner ads on HotWired without clients' prior consent or knowledge. The way he saw it was if they liked it, they would be happy to pay us and if not, that was OK too; but at least the agency would get a running start at exploring this new exciting medium that was on course to change all of our (professional) lives.”

Read more here.

PMIRRG Announces Print Readership Tender

After being put on hold earlier this year, due to the economic downturn, The Print Media Industry Research Review Group Incorporated (PMIRRG) has announced that it is seeking research companies to tender for New Zealand Print Media Readership measurement. The period of the contract will be for a minimum of 5 years and will include consumer insights and media engagement research.

The process to get to tender has been a long one. Over the last 18 months PMIRRG, who encompass representation from advertising agencies and magazine and newspaper publishers; has been investigating international best practice into media research, innovations and technology and likely changes to customer needs over the next 5 to 10 years.

Official print readership research is currently conducted by Nielsen Media Research. 12,000 people are interviewed, face to face, on a quarterly annual rolling basis. Readership is measured via masthead recognition.

Alternative readership research is provided by Roy Morgan. Morgan use a combination of phone interviews and leave behind questionnaires to gather information, because, as the second player and in a market the size of New Zealand, the cost of conducting face to face interviews is prohibitive for them. Unlike Australia, where Roy Morgan use both recency (cover shot of most recent issue) and through the book (content within the publication) to gather information, locally readership data is gathered via a list of the researched publications being read to the respondent.

By way of a brief history lesson, Nielsen has long held the readership contract in this market. Questions about methodology Nielsen use to collect readership data were originally raised when Morgan came into the market offering an alternative approach (that being used currently in Australia, where they own the readership currency).

More recently, the changing face of media consumption, most notably in the digital space means that a key requirement is to future-proof research and adapt as required. This is an issue specifically for newspapers, who have embraced on-line publishing formats as a way of attracting younger readers whilst traditional newsprint circulations crumble. Publishers will seek to keep up with their consumers evolving needs, so the potential for unknown alternative formats, for example “electronic paper” or versions of Amazon’s Kindle, to launch in New Zealand will also need to be allowed for.

While Nielsen and Roy Morgan are the two main contenders in this market, so would seem to be the front runners, Barry Williamson, Consultant (non-voting) to PMIRRG, believes up to 7 companies, both local and international are likely to tender, in line with recent Australian experience.

Ultimately, current readership measurement has issues. It lacks dynamicism, there have been ongoing questions surrounding both Nielsen's and Morgan's methodology and it is not reflective of large scale moves by mainstream publishers into digital formats. Quarterly reporting means that there is a significant delay between research completion and availability to the advertising market. There is no allowance for daily variances in readership with newspapers, and an inability to determine the real impact of significant events or appealing cover images to readership. The flow on means print media is planned on the basis of averages, without the confidence of, for example, daily television ratings. This makes it difficult to ascertain advertising success.

Expressions of interest are required by the 13th November. The tender process will progress from there. Carat welcome this review, and look with interest to the outcome.

For further details, see the PMIRRG press release, or contact your Carat representative.

Update on TVNZ Commission Changes

In my previous comment on this matter dated 1 October 2009 I noted that TVNZ had not formally made any announcement about a corresponding drop in rates to match the advised drop in media commission from 2011. In my absense on leave last week TVNZ did formally send a letter to agencies announcing that they would be making a drop in media rates that would neutralise the effect.

In theory this should provide comfort to advertisers that the cost effect of the commission reduction should now not be an issue. However having, in my time at TVNZ as Sales Director for a number of years, had responsiblity to deliver many a ratecard to the market I know that in practice it is possible to manage the pricing across the ratecard to drive small improvements in yield without too much visibility. We would expect TVNZ to plan subtle management of 2011 pricing strategy to achieve a small improvement in yield and gain some advantage from the commission reduction. It would not be to the extent of an overt "hold" of the benefit of the full reduction in commission.

So what does this mean? As 2011 ratecard comes to market evaluation of TVNZ's TV audience versus rate position will need to be interrogated extremely closely to look for any evidence of disproportionate increase in audience CPT's relative to audience and market demand trends.

At the end of the day we work in a demand driven market and whatever TVNZ does with its ratecard will be subject to what the market can bear. If the result of TVNZ's reduced commission sees ratecard pricing that delivers CPT increases that do not reflect its audience performance and demand in the market for its product they will struggle to secure any advantage by taking this action.

In the interim Carat's approach, as we work with clients business requirements, will be to investigate opportunities very closely with those media companies that have not at this stage indicated a reduction in commission. Where appropriate we will make recommendations that may see a shift in media investment in their favour. Ultimately of course performance objectives must take precadent and we would not recommend driving investment away from TVNZ if it is going to hurt the performance of client schedules.

There will also be a need, where appropriate, to discuss moving to fee based structures as an alternative to straight commission linked structures. As we enter 2010 agencies and clients throughout New Zealand will be engaging in such dialogue as a result of TVNZ's move.

Ultimately however we are confident in protecting best value for our clients through smart analysis, negotiation and trading regardless of TVNZ's move and will work in clients best interests as this progresses.

TV3/C4 2010 Programme Launch

TVWorks launched its 2010 programming line-up on Wednesday morning to a full house of media planners and buyers. Kelly Martin, TVWorks Head of Programming noted that this was the first time TV3 and C4 new season programming had been launched together, reflecting the new integrated approach the network is taking across the board with these channels.

The tone of the presentation was set by hosts, John Campbell and Dai Henwood, with Campbell particularly talking up network strength in local content production. An interesting angle, given the lack of local focus in a show reel. To be fair, many of the shows are returning (What’s Really in Our Food, 7 Days, Pulp Sport, Outrageous Fortune, etc) so are well known by media types, but the lack of attention paid to Bro'Town creators, Oscar Kightly and David Fane's, new show Radiradirah, was surprising.

Instead the focus of both Kelly Martin’s synopsis and the reel itself was on new and returning international series and movies, kicking off with C4 content.

C4 is evolving from music channel, to be re-defined as a “general entertainment channel with a special youth focus”, targeting 15 to 39 year olds. The programming mix has grown to include drama (24, 90210) alongside established comedy (South Park, 30 Rock) and music programming (Select Live). Of particular note is the shift of high rating sci-fi drama, Heroes, from TV3 to C4, signaling TVWorks intent to grow C4 into a serious contender. On the other hand, Heroes disappointing ratings in the US could have moved it to second tier status, and so off TV3’s peak schedule.


C4 New Season Winners:

• The Cleveland Show – The Family Guy spin off (cartoon) has been renewed for 2 full seasons in the US and has been rating favourably there.

• Sons of Anarchy – Season two launched on Fox (US) in September, and has been reaching record numbers of men 18-49.
  

C4 New Season Losers:

• Melrose Place – The much hyped remake, starring Ashlee Simpson, is failing to deliver Stateside. May not make it to season 2.

• Parks and Recreation – Despite having the same producers as The Office, this mockumentary comedy series is rating poorly in the US.

Kelly Martin’s key message for TV3 was consistency. Their goal is to offer strong programming throughout the year, rather than frontloading programming into the first 8 months (a pointed reference to her TVNZ counterpart perhaps?). The foundation of this year’s schedule is in returning shows. The CSI franchise is still going strong, alongside House, News and Current Affairs, The Simpsons, Underbelly and the local content outlined above. Enough content to ensure less reliance on movies and untested new series.

Tv3 have been clever enough to secure two of the best new shows from the States in NCIS: Los Angeles (starring Chris O’Donnell and LL Cool J) and Modern Family, described by one media commentator as “the biggest new hit of the season” and a “bona fide hit” respectively.

TV3 New Season Winners:

• Modern Family – Renewed for a second season

• NCIS Los Angeles – Renewed for a second season

• The Good Wife – Starring Julianna Marguiles and Chris Noth, this has been rating well and has been renewed for a second season in the States.

• Glee – Is expected to gain Emmy attention.
  

TV3 New Season Losers:

• Three Rivers – “the cancellation clock is ticking” (Mediaweek)

• Trauma – despite good ratings for NZ actor Cliff Curtis, this show has not been a ratings star.

Overall, it was fairly much as we would expect. A high number of well established local and international shows, underpinned by a few new ones. Generally a low risk strategy, although one would question how long people will want to watch CSI and House. Additionally, the TV3/ C4 integrated programming approach is still to be well established and so is yet to be fully proven, although initial signs are good.

The first of the new season will launch before Christmas, with Glee likely to be the first cab off the rank in the America’s Next Top Model slot.

To view the show reel, and for more information on these shows, go to http://mediaworkstv.co.nz/, or contact Carat New Zealand for advertising and sponsorship opportunities.

Next Generation Media Quarterly - October 2009

Check out this presentation put together by Dan Calladine, Head of Media Futures - Isobar UK. The information is based on the last three months and what you need to know the world of media moving forward:

Next Generation Media Quarterly - October 2009

View more documents from Dan Calladine.

Google's Share of Global Internet Traffic

“Five years ago, Internet traffic was, for the most part, managed by tier 1 providers like AT&T, Verizon, Level 3 Communications, and Global Crossing, all of which connected to thousands of tier 2 networks and regional providers. Today, that has changed. Now, instead of traffic being distributed among tens of thousands of networks, only 150 networks control some 50% of all online traffic. Among these new Internet superpowers, it's no surprise to find Google listed. In fact, the search giant accounts for the largest source (6%) of all Internet traffic worldwide.

This data comes from a new report put out by Arbor Networks, who has just completed a two-year study of 256 exabytes of Internet traffic data, the largest study of global traffic since the start of the commercial Internet in the mid-1990's.”

Read more here.

iProspect New Zealand Wins MySpace

Just three weeks after launching in New Zealand, iProspect has won the MySpace account.

The business was won without a competitive pitch and will involve search and digital strategy through iProspect and planning and buying, through iProspect’s sister agency, Carat.

“MySpace is a progressive digital brand that requires like-minded digital and media thinking to continue to flourish in the burgeoning NZ market. Carat and iProspect seemed the natural fit for MySpace at this time – and we’re very much looking forward to working together,” said Susan Carlton, Head of Business Development, MySpace New Zealand.

“This win is a vindication of the strategic developments at Carat and the investment made in launching search specialist company iProspect. We are very excited to win MySpace and look forward to doing great things with Susan and her team,” said Ryf Quail, Director, iProspect.